Interpretation – Caroline Wickham-Jones

The Great and the Small

There is no shortage of television coverage of ‘big-name’ sites like Stonehenge. As I write I am still digesting the ‘new’ revelations of last week’s programme on Channel Five which presented a detailed breakdown of research on the big pits surrounding Durrington Walls.

women at work — Those who work to unearth the smallest of archaeological sites make no less a contribution than those whose research will grace our television screens and newspapers.

False Boundaries

Archaeologists like to pigeonhole things. It helps us to categorize and interpret the data we find. But life does not always conform to quite such clearly defined ways. We have to be careful that our organizational need for boundaries does not

The interior furnishings of Skara Brae lend themselves to many interpretations

Interpretive Whispers

I’ve been enjoying some time with others, exploring the archaeological sites of Orkney. I always appreciate the variety of monuments here. There are sites relating to all the major periods of prehistory and history and it is a great opportunity to discuss not only the developing course of human society and lifestyles through time, but also the ways in which archaeologists untangle and analyse data. There are locations that lend themselves to a discussion of the traditional world of archaeology into which I was educated, and sites where it is possible to think about the myriad of forensic applications that can now be used to add a wealth of data to the pot. Archaeological interpretations have become so intimate and detailed that I sometimes think there is little privacy left for those who once inhabited an area once an archaeological research team has set their sights on it.

The magnificant cathedral built by Earl Rognvald in the twelfth century takes on additional meaning when you have detail of those who built and used it nearly a thousand years ago.

Hindsight

The more we can shed the trappings of twenty-first century thought processes, the better we can think about the past. Reconstruction of a Mesolithic settlement, by Jan Dunbar.

Hindsight, we are told, is a wonderful thing. In many ways, it is. But in some ways, it can hinder our view of the world.

Over the past few years, I have been part of a team researching the changing Continue reading Hindsight

Warts and All…

Our interpretations of the past are often very rosy – it rarely even rains! Reconstruction, by artist Jan Dunbar, of an Early Neolithic farmstead in the east of Scotland.

I am old enough to remember the introduction of immersive ‘time travel’ type heritage displays. They often involved using electric ‘cars’ to progress through a reconstruction, or series of reconstructions, of the past. There were even sounds, and appropriate smells, along the way. I, along with many others, loved them. Continue reading Warts and All…

Good Pictures

Any image has so much to say. The Mesolithic characters for Into the Wildwoods were drawn by Alex Leonard.

One of the really fun things about my work has been the opportunity to work with artists on reconstructions of the past. Usually, but not always, these have focussed on Mesolithic communities. I’ve been doing it for nearly 40 years, and it has been so interesting trying to bring the world of prehistory to life. I thought it Continue reading Good Pictures